Natures Beautiful Wallpaper

Showing posts with label tajmahal. Show all posts

5/20/12

Kamakhya Temple A Brief History Of Goddess Kamakhya Power Of Worship

About Kamakhya Temple :

The temple is situated a few kilometers away from the Guwahati Railway Station, and is open for visitors throughout the year. The exact date of the original temple is not known. It is believed that, the temple is an ancient temple. The Temple was rebuilt in 1665, after being destroyed by Muslim invaders. It was probably an ancient Khasi sacrificial site, sacrifices are still very much part of worship here. Group of devotees arrive each morning with goats to offer to Shakti. Although little is known about the early history of the temple, the first reference to the place has been traced back to the Allahabad inscriptions of Emperor Samudragupta.

There is a legend attached to the history of the temple, which goes way back to the mythological age. According to the legend, Sati the wife of Lord Shiva (one of the holy Trinities in Hindu mythology) took her life at a `Yagna` ceremony that had been organized by her father Daksha, because she could not bear the insults hurled at her husband by her father. On hearing the news of his wife`s death, Shiva, the destroyer of all that was evil flew into a rage and punished Daksha by replacing his head with that of a goat. Torn between misery and blind fury, Shiva picked up the corpse of his beloved wife Sati and performed a dance of destruction called the `Tandava`.

The intensity of the destroyer`s fury was so overwhelming that it took several Gods to pacify his anger. In the midst of this struggle, Sati`s corpse accidentally got cut into 51 parts by the disc in the hands of Lord Vishnu (also one of the Trinities in Hindu mythology), and her female genitalia or `Yoni` fell on the spot where the Kamakhya temple stands today, forming one of the many Shakti `Peethas` adorning the rest of her body parts. But the place where her uterus fell was not known till the god of love, Kamadeva, searched it out to rid himself of a certain curse of Brahma`s. Kama regains his body here. The place came to be known as `Kamarup` and the presiding deity as `Kamakhya` or one worshipped by Kama.

Another legend says that the demon Narakasura fell in love with Goddess Kamakhya once and he wanted to marry her. But as a goddess cannot marry a demon or asura, Goddess Kamakhya played a trick to save herself. She laid a condition that she would marry him only if he builds a temple for her within one night. Narakasura agreed to it and almost finished building the temple overnight. This scared Goddess Kamakhya and before the final steps of the temple were completed, a cock was sent to cry cock-a-doodle-do to announce the arrival of the morning, before it was actually dawn. This made Narakasura very angry and he killed the cock on that spot. But according to the condition Narakasura couldn`t marry Goddess Kamakhya after that. It is said that the present Kamakhya temple is the same that Narakasura had made for the Goddess.

Some people says that Shakti, the mother Goddess, challenged the supreme creative power of Bhrahma and that Brahma could thereafter create, only with the blessings of the Yoni, as the sole creative principle. After much penance, Bhrahma brought down a luminous body of light from heaven and placed it within the Yoni circle, which was created by the Goddess and placed at Kamarupa Kamakhya in Guwahati.

Site & Architecture:

King Nara Narayana of Cooch Behar rebuilt the temple in 1665 after it had suffered destruction at the hands of foreign invaders. The temple consists of seven oval spires, each topped by three golden pitchers, and the entrance spirals down to a curvy path of some distance, which specially links the main road to the temple. Some of the sculptured panels of the temple carry depictions of Gods and Goddesses of Hindu pantheon carved in a delightful pattern. Tortoises, monkeys, and large number of pigeons have made the temple their home, and loiter around the premise, being fed by the temple authorities and the visitors. The cryptic, as well as the peaceful ambience of the temple combine together to soothe the nerves of visitors, and take their minds to flights of inner salvation, and this is the very reason that people come here for. Images of gods and goddesses of Hindu religion are carved on the walls. The image of the Goddess along with other deities is kept on a throne.

The current temple structure was constructed in1565 by Chilarai of the Koch dynasty in the style of medieval temples. The form of the earlier structure, destroyed by the Kala Pahar, is unknown. The temple consists of three major chambers. The western chamber is large and rectangular and is not used by the general pilgrims for worship. The middle chamber is a square, with a small idol of the Goddess, a later addition. The walls of this chamber contain sculpted images of Naranarayana, related inscriptions and other gods. The middle chamber leads to the Sanctum sanctorum of the temple in the form of a cave, which consists of no image but a natural underground spring. The spring emanates from a fissure in a large rock that symbolizes a Yoni. In summertime the water runs red with iron oxide resembling menstrual fluid, an occasion for the Ambubasi festival. Though the temple is aligned facing east like most Hindu temples, the worship of the yoni is performed facing north.

The Kamakhya Temple has a beehive like shikhara. Some of the sculptured section seen here are of interest. There are images of Ganesha, Chamundeswari, dancing features etc. The temple is a natural cave with a spring. Down a flight of steps to the bowel of earth, is located a dark, mysterious chamber. Here, draped with a silk sari and covered with flowers, is kept the "matra yoni". There is no image of Shakti here. Within a corner of a cave in the temple, there is a sculptured image of the Yoni of the Goddess, which is the object of reverence. A natural spring keeps the stone moist. Other temples on the Neelachala hill include those of Tara, Bhairavi, Bhuvaneswari and Ghantakarna With all its enigmatic splendor and picturesque locale, the Kamakhya Temple is one of the most astounding structures, not only in Assam, but also in the whole of India.

Festival :

Durga Puja is celebrated here annually during Navaratri in the month of September- October. It is a three-day festival attracting several visitors. A unique festival observed here is the Ambuvaci (Ameti) fertility festival wherein it is believed that the Goddess (mother Earth) undergoes her menstrual period.

Images:

Kamakhya Temple' Image

Kamakhya Temple's Festival Image

Kamakhya Temple's Image

5/19/12

Tajmahal The Beauty And Love Symbol Of India And Images Wallpaper

An Introduction To TajMahal:

The most beautiful building in the world. In 1631 the emperor Shah Jahan built the Taj Mahal in memory of his wife Mumtaz, who died in childbirth. The white marble mausoleum at Agra has become the monument of a man's love for a woman.

Shah Jahan came to power in 1622 when he seized the throne from his father, while murdering his brothers to ensure his claim to rule. He was known as an extravagant and cruel leader. But he redeemed himself by his generosity to his friends and the poor, by his passion in adorning India with some of its most beautiful architecture, and by his devotion to his wife Mumtaz Mahal - "Ornament of the Palace." He had married her when he was 21, when he already had two children by an earlier consort. Mumtaz gave her husband 14 children in eighteen years, and died at the age of 39 during the birth of the final child. Shah Jahan built the Taj Mahal as a monument to her memory and her fertility, but then relapsed into a life of scandalous behavior. This tomb was only one of hundreds of beautiful buildings that Shah Jahan erected, mostly at Agra and in the new Dehli that came into being under his planning.

Many architects have rated it as the most perfect of all buildings standing on earth. Three artists designed it: a Persian, an Italian, and a Frenchman. But the design is completely Mohammedan. Even the skilled artisans who built it were brought in from Baghdad, Constantinople, and other centers of the Muslim faith. For 22 years more than 20,000 workmen were forced to build the Taj. The Maharaja of Jaipur sent the marble as a gift to Shah Jahan. The building and its surroundings cost more than $200,000,000 in todays currency.

Passing through a high wall, one comes suddenly upon the Taj - raised upon a marble platform, and framed on either side by handsome mosques and stately minarets. In the foreground spacious gardens enclose a pool in whose waters the inverted palace becomes a quivering dream. Every portion of the structure is of white marble, precious metals, or costly stones. The building is a complex figure of twelve sides, four of which are portals. A slender minaret rises at each corner, and the roof is a massive spired dome. The main entrance, once guarded with solid silver gates, is a maze of marble embroidery; inlaid in the wall in jeweled script are qotations from the Koran, one of which invites the "pure in heart" to enter "the gardens of Paradise."

Shah Jahan had begun his reign by killing his brothers; but he had neglected to kill his sons, one of whom was destined to overthrow him. In 1657 his son Aurangzeb led an insurrection from the Deccan. Aurangzeb defeated all the forces sent against him, captured his father, and imprisoned him in the Fort of Agra. For 9 bitter years the deposed emperor lingered there, never visited by his son, attended only by his faithful daughter Jahanara, and spending his days looking from the Jasmine Tower of his prison across the Jumna to where his once-beloved Mumtaz lay in her jeweled tomb.

The new emperor Aurangzeb was a more pious Muslim than his father Shah Jahan had been. He memorized the entire Koran, spent days in fasts, and campaigned against infidelity. He cared little for luxuries, but, paradoxically, gave the world one of its most perfect works of art: a marble screen inside the Taj Mahal. Native and European thieves robbed the tomb of its abundant jewels, and of the gold railing, encrusted with precious stones, that once enclosed the sarcophagi of Shah Jahan and his Queen. Aurangzeb replaced the railing with an octagonal screen of almost transparent marble, carved into a miracle of alabaster lace. Few products of human art have ever surpassed the beauty of this screen.

From afar the Taj Mahal, with its delicate details, is not imposing. Only a nearer view reveals that its perfection has no proportion to its size. When in our hurried times, we see enormous structures of a hundred stories raised in a year, and then consider how 20,000 men worked for 22 years on this little tomb, hardly a hundred feet high, we begin to sense the difference between industry and art. And perhaps more importantly, we sense the ultimate lesson it offers: beauty and that which lasts, is based on love.

Images: